{"id":39410,"date":"2024-08-02T13:26:52","date_gmt":"2024-08-02T11:26:52","guid":{"rendered":"https:\/\/www.royalpianos.com\/fazioli-pianoforti-pianos\/"},"modified":"2026-09-30T12:37:16","modified_gmt":"2026-09-30T10:37:16","slug":"fazioli-pianoforti-pianos","status":"publish","type":"page","link":"https:\/\/www.royalpianos.com\/en\/fazioli-pianoforti-pianos\/","title":{"rendered":"Fazioli Pianoforti Pianos"},"content":{"rendered":"
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Fazioli Pianos<\/div><\/div><\/div>
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ROYAL PIANOS\nOFFICIAL DISTRIBUTOR<\/span>\nFAZIOLI PIANOFORTI<\/span>\n<\/span><\/h2><\/div><\/p><\/div>\n\n<\/div><\/div><\/main><\/div><\/div>
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Fazioli Pianoforti Pianos: Handcrafted in Italy<\/h3>
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Fazioli Pianofort<\/a>i has been producing concert and grand pianos since 1981, the year the company was founded on the initiative of Paolo Fazioli, an engineer and pianist.<\/p>\n

A passion for music and scientific competence, great craftsmanship, continuous technological research and a rigorous selection of materials are the necessary requirements for producing a Fazioli piano.<\/p>\n

FAZIOLI rejects any industrial-type production philosophy and pursues the goal of uncompromising quality<\/strong>. The factory is located in Sacile, in the Italian province of Pordenone (60 km north-east of Venice), in an area that enjoys an ancient and prestigious tradition in the art of woodworking.<\/p>\n

The history of the company is one marked by a crescendo of successes, from the first international exhibitions to the acquisition of important distributors worldwide.<\/p>\n

From pianos supplied to the most prestigious theatres in the world to the increasingly close collaboration with famous artists who specifically require Fazioli pianos for their concerts.<\/p>\n

Among them, we cannot forget the great pianist Angela Hewitt and the legendary jazz musician Herbie Hancock.<\/p>\n<\/div><\/section><\/p>\n<\/div><\/div>\n<\/div>\n

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MISSION AND VISION<\/h3>
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The FAZIOLI company is the fruit of a challenge: to demonstrate that the piano is not an instrument stuck in tradition in a static and immutable way. On the contrary, it is based on the assumption that the piano, like any other work of human ingenuity, can and should be subject to technical-scientific development and aesthetic evolution, without this being a dishonour to the glorious past that history has to offer. From the beginning, FAZIOLI has adopted a coherent philosophy that can be summed up in a few very important points:<\/p>\n